Showing posts with label Andean. Show all posts
Showing posts with label Andean. Show all posts
Sunday, September 19, 2010
Lost Language Discovered on 17th Century Paper in Peruvian Archaeological Excavation
Dr. Jeffrey Quilter of Harvard's Peabody Museum discusses the amazing discovery from Magdalena de Cao Viejo (also known from its also amazing prehispanic component, the Moche site El Brujo). This site is extremely dry, and has preserved actual documents, an astounding find from an archaeological site. Not only are these documents very rare, that they record extraordinary information about the number system of a little known language is almost unbelievable. As the video notes, this material has just been published in American Anthropologist (press release on the research can be read here). Here's the project website. I know several of the folks there, either through attending Tulane University with them, or through work on the upcoming hybrid material culture volume I'm editing.
Labels:
Andean,
anthropology,
archaeology,
colonial,
Conquest,
Contact,
historical archaeology,
indigenous,
linguistics,
Moche,
Peru,
South America,
Spanish
Sunday, August 29, 2010
Weird Archaeology 101 - Dinosaurs and Cosmic Monsters in Prehistoric (and not so Prehistoric) American Art
I touched on this topic in the first Weird Archaeology 101 post, but lets go more in depth today. At the bottom of this post you will find video of a Creationist presentation on evidence for human interaction with dinosaurs in artwork from the late prehistoric Southwestern United States, several periods and cultures in the prehistoric Andes, and post-Roman Israel. But before the videos, some discussion on why dinosaurs are so important to Creationists.
Until recently, I think most mainstream scientists were not aware of the importance of cryptozoology and the idea of surviving dinosaurs to Creationists. Some people might joke that Creationists "believe the Flintstones was a documentary," but the ironic truth is that this is quite accurate. Just as moviemakers have known for 85 years Creationists have realized that dinosaurs, and especially dinosaurs interacting with humans, is an extremely appealing idea. This has been foregrounded in the various Creationist museums, but has been knocking around evangelical Christianity for some time.
What may escape some more secular observers is that the interest in dinosaurs is not just an attempt to support Young Earth Creationism (based on a divine Creation several thousand years ago), but also to incorporate specific bible elements, namely Leviathan and Behemoth. Leviathan is a sea monster and Behemoth a land monster in the Hebrew Bible and other Jewish religious literature. Both of them will be killed and served as a feast for the righteous when the Messiah arrives. In fact, sea and other monsters are an overlooked element of the Hebrew Bible, with some controversial suggestions that they existed at the time of Creation. Both of these characters have been equated by Creationists with dinosaurs, and this underlies their interest, as well as the Young Earth timetable.
Furthermore, Leviathan and Behemoth are echoed in the Beasts of the sea and of the land in the Book of Revelation in the New Testament. Drawing inspiration from these apocalyptic monsters, Poet Laureate of the Victorian British Empire Alfred, Lord Tennyson composed "The Kraken," in 1830. He combines the Scandinavian legend of a tentacled sea beast with the biblical Leviathan to write of a monster that will come to the surface and die at the end of the world.
Which brings us to Cthulhu. As part of a project I'm working on, I recently "interpreted" the iconography of a Moche golden mask as being a representation of horror author H. P. Lovecraft's dead but living alien god Cthulhu, a millions of years ancient monstrosity that rests in a sunken city at the bottom of the Pacific until the stars become right, and on an unknowable and immense cosmic cycle it will arise and bring about the end of human civilization. The thought processes of this entity are obscured by the water above it, but from time to time geological processes raise it close or above the surface, and sensitive humans receive the creature's thoughts and form religions in honor of it (if you have two minutes, you can get the whole story here). In my little exercise, I assembled evidence of a looted Moche mask (probably from the site of La Mina), Moche painted iconography of anthropomorphized fish, the results of an oceanographic survey, and anomalous sounds recorded by underwater microphones all to point to the inescapable conclusion that there really is a dead alien god slumbering off the coast of Chile.
I don't actually believe that Cthulhu dreams in his house in R'lyeh. But look how easy it is to start taking disparate bits of information and shuffling them together to support something utterly absurd. And unlike the videos below, all of my evidence is at least real if misinterpreted, I don't have Ica stones in my argument. And I certainly don't have quite real khipu and pottery (though when you watch the videos, take note of the one pot with the applique "dinosaur," particularly the difference in texture and apperance of its neck with the rest of the vessel) being flung about during an argument that the Moche and Nazca people were fleeing for their lives from abundant living dinosaurs. I winced when these materials were presented.
If you want to know more about Leviathan and Behemoth, I would recommend Religion and Its Monsters by Timothy Beal.
The texts of the Bible, Tennyson's "The Kraken" and Lovecraft's "The Call of Cthulhu" are all available online.
Here are the videos (3 parts), part of a series by the director of a Creationist museum.
Until recently, I think most mainstream scientists were not aware of the importance of cryptozoology and the idea of surviving dinosaurs to Creationists. Some people might joke that Creationists "believe the Flintstones was a documentary," but the ironic truth is that this is quite accurate. Just as moviemakers have known for 85 years Creationists have realized that dinosaurs, and especially dinosaurs interacting with humans, is an extremely appealing idea. This has been foregrounded in the various Creationist museums, but has been knocking around evangelical Christianity for some time.
What may escape some more secular observers is that the interest in dinosaurs is not just an attempt to support Young Earth Creationism (based on a divine Creation several thousand years ago), but also to incorporate specific bible elements, namely Leviathan and Behemoth. Leviathan is a sea monster and Behemoth a land monster in the Hebrew Bible and other Jewish religious literature. Both of them will be killed and served as a feast for the righteous when the Messiah arrives. In fact, sea and other monsters are an overlooked element of the Hebrew Bible, with some controversial suggestions that they existed at the time of Creation. Both of these characters have been equated by Creationists with dinosaurs, and this underlies their interest, as well as the Young Earth timetable.
Furthermore, Leviathan and Behemoth are echoed in the Beasts of the sea and of the land in the Book of Revelation in the New Testament. Drawing inspiration from these apocalyptic monsters, Poet Laureate of the Victorian British Empire Alfred, Lord Tennyson composed "The Kraken," in 1830. He combines the Scandinavian legend of a tentacled sea beast with the biblical Leviathan to write of a monster that will come to the surface and die at the end of the world.
Which brings us to Cthulhu. As part of a project I'm working on, I recently "interpreted" the iconography of a Moche golden mask as being a representation of horror author H. P. Lovecraft's dead but living alien god Cthulhu, a millions of years ancient monstrosity that rests in a sunken city at the bottom of the Pacific until the stars become right, and on an unknowable and immense cosmic cycle it will arise and bring about the end of human civilization. The thought processes of this entity are obscured by the water above it, but from time to time geological processes raise it close or above the surface, and sensitive humans receive the creature's thoughts and form religions in honor of it (if you have two minutes, you can get the whole story here). In my little exercise, I assembled evidence of a looted Moche mask (probably from the site of La Mina), Moche painted iconography of anthropomorphized fish, the results of an oceanographic survey, and anomalous sounds recorded by underwater microphones all to point to the inescapable conclusion that there really is a dead alien god slumbering off the coast of Chile.
I don't actually believe that Cthulhu dreams in his house in R'lyeh. But look how easy it is to start taking disparate bits of information and shuffling them together to support something utterly absurd. And unlike the videos below, all of my evidence is at least real if misinterpreted, I don't have Ica stones in my argument. And I certainly don't have quite real khipu and pottery (though when you watch the videos, take note of the one pot with the applique "dinosaur," particularly the difference in texture and apperance of its neck with the rest of the vessel) being flung about during an argument that the Moche and Nazca people were fleeing for their lives from abundant living dinosaurs. I winced when these materials were presented.
If you want to know more about Leviathan and Behemoth, I would recommend Religion and Its Monsters by Timothy Beal.
The texts of the Bible, Tennyson's "The Kraken" and Lovecraft's "The Call of Cthulhu" are all available online.
Here are the videos (3 parts), part of a series by the director of a Creationist museum.
Labels:
Andean,
archaeology,
hoax,
pseudoarchaeology,
religion,
South America,
southwest,
Weird Archaeology
Tuesday, May 05, 2009
Ebay Curtails Archaeological Looting
http://www.sciencedaily.com/releases/2009/05/090504193641.htm
Great story. Based on the research of Charles Stanish of UCLA's Cotsen Institute, Ebay harms archaeological looting.
In essence, Ebay and the internet in general has made it easier for people around the world to market "fakes"/replicas of archaeological artifacts for low prices. In turn, this has satisfied many customers who want something "authentic" and either prefer replicas due to ethics/costs, or don't know the difference and are simply amazed that an "ancient" Maya bowl markets for $35. This has lessened the demand for actual looted antiquities, and has flooded the market with excellent replicas, making the entire issue of buying and selling the real deal more difficult and risky.
Looting hasn't even remotely gone away. But it's nice to see the internet, which had initially been pegged as making the problem worse, actually making the problem better and encouraging a new market in ethically positive replicas sold more directly by local artisans not beholden to smuggling networks.
Great story. Based on the research of Charles Stanish of UCLA's Cotsen Institute, Ebay harms archaeological looting.
In essence, Ebay and the internet in general has made it easier for people around the world to market "fakes"/replicas of archaeological artifacts for low prices. In turn, this has satisfied many customers who want something "authentic" and either prefer replicas due to ethics/costs, or don't know the difference and are simply amazed that an "ancient" Maya bowl markets for $35. This has lessened the demand for actual looted antiquities, and has flooded the market with excellent replicas, making the entire issue of buying and selling the real deal more difficult and risky.
Looting hasn't even remotely gone away. But it's nice to see the internet, which had initially been pegged as making the problem worse, actually making the problem better and encouraging a new market in ethically positive replicas sold more directly by local artisans not beholden to smuggling networks.
Labels:
Andean,
archaeology,
art history,
indigenous,
looting,
Peru,
tourism
Monday, July 21, 2008
Tulane Archaeologist Finds Peruvian Mummy
Dr. Kit Nelson of my former department has been in the news for the discovery of a Chancay mummy. National Geographic loves its mummies. Hat tip to Ashley Heaton for the story.
Another Tulane anthropologist, Dr. John Verano, also got some media attention two years ago for working on a Moche mummy.
Another Tulane anthropologist, Dr. John Verano, also got some media attention two years ago for working on a Moche mummy.
Labels:
Andean,
anthropology,
archaeology,
mortuary,
Peru,
South America,
tulane
Wednesday, January 30, 2008
On Lost Cities: Lost Inka City of Patiti Found ... Again
The legend of El Dorado, or this case the variant of the Inka city of Patiti, crops up about every six months when a new impressive stone ruin is found in the jungles of South America. Here's the current candidate.
http://news.nationalgeographic.com/news/2008/01/080116-lost-city.html
I can't blame them, of course. I remember the false alarms around finding Copan royal founder Yax K'uk' Mo', before his tomb was finally identified for certain. El Mirador was overlooked for decades before it was rediscovered as the greatest of all Maya cities, transforming the picture of early Maya civilization, and Tikal has the Mundo Perdido or "Lost World" pyramid which has a similar history. And closer to Patiti, there is always the tantalizing memory of the lost city of Macchu Picchu, discovered right at the peak of popular interest in explorers and lost cities and other colonial-era fantasticalness.
Back in college, I remember being amazed by the discovery of Ubar using space shuttle imagery and remote sensing to find camel and foot paths. The Moskitia of Honduras has the enduring legend of the White City, Ciudad Blanca. It too is looked for (here's an example) and sometimes found time and again. Initially supposed to be a city of gleaming white stone buildings, in the 20th century viewed from the air in addition to the old tales, it has also taken on the meaning over time of being a lost city of White people. This of course brings to mind the older medieval stories of Prester John and later colonial myths and fiction of lost Roman legions that brought civilization to Africa, reflected in the treatment of Great Zimbabwe. The British Empire had a lost city of its own, Camelot, which has been identified several times, including at Tintagel in Cornwall.
EDIT: Looks like Patiti is still lost
http://news.nationalgeographic.com/news/2008/01/080116-lost-city.html
I can't blame them, of course. I remember the false alarms around finding Copan royal founder Yax K'uk' Mo', before his tomb was finally identified for certain. El Mirador was overlooked for decades before it was rediscovered as the greatest of all Maya cities, transforming the picture of early Maya civilization, and Tikal has the Mundo Perdido or "Lost World" pyramid which has a similar history. And closer to Patiti, there is always the tantalizing memory of the lost city of Macchu Picchu, discovered right at the peak of popular interest in explorers and lost cities and other colonial-era fantasticalness.
Back in college, I remember being amazed by the discovery of Ubar using space shuttle imagery and remote sensing to find camel and foot paths. The Moskitia of Honduras has the enduring legend of the White City, Ciudad Blanca. It too is looked for (here's an example) and sometimes found time and again. Initially supposed to be a city of gleaming white stone buildings, in the 20th century viewed from the air in addition to the old tales, it has also taken on the meaning over time of being a lost city of White people. This of course brings to mind the older medieval stories of Prester John and later colonial myths and fiction of lost Roman legions that brought civilization to Africa, reflected in the treatment of Great Zimbabwe. The British Empire had a lost city of its own, Camelot, which has been identified several times, including at Tintagel in Cornwall.
EDIT: Looks like Patiti is still lost
Labels:
africa,
Andean,
anthropology,
archaeology,
asia,
colonial,
Europe,
Guatemala,
Honduras,
maya,
mesoamerica,
Peru,
Roman,
South America
Thursday, July 05, 2007
Battles of the New World: Andean Gunshot Victim and Jamestown Arms and Armor
Two unambiguous testaments to the military aspect of the invasions of the Americas.
In Peru, one of the burials in a sixteenth-century cemetery outside of Lima appears to be the oldest skeletal evidence of a gunshot victim in the Americas. Other burials in the group may also show gunshot evidence as well as injuries from maces (a traditionally Andean weapon). A lack of grave goods and other contextual evidence suggests a hasty burial, though not a mass grave pit.
The arquebus was an initial shock weapon in encounters between Spaniards and Native Americans, but it is generally considered less important than the more numerous crossbows, steel swords, and the all-important horses. In Mexico, arquebus or cannon would break-up infantry attacks, and could be used to impress locals. But time and again, Spanish battle chronicles follow a similar pattern. After initial contact (sometimes involving trickery or ambush), the Spaniards and their allies would fight the Aztecs or other Mexicans primarily on foot, inflicting damage but loosing fighters. Eventually the mounted horsemen would get into the fray, ride down the natives, and then get into the back area of the opposing army and wreak havoc with their lances. This decided many more battles than firearms did.
The following video from National Geographic (one of the sponsors of the research), shows some of the evidence
Some seventy years later, the English brought their arms to the coasts of Virginia, and recently armor and arms have been recovered from Jamestown. While iconic and impressive, as the article notes, these had been put away when famine, not natives, brought the English to their knees.
Update: More skeletal evidence of the Spanish conquest of Peru
In Peru, one of the burials in a sixteenth-century cemetery outside of Lima appears to be the oldest skeletal evidence of a gunshot victim in the Americas. Other burials in the group may also show gunshot evidence as well as injuries from maces (a traditionally Andean weapon). A lack of grave goods and other contextual evidence suggests a hasty burial, though not a mass grave pit.
The arquebus was an initial shock weapon in encounters between Spaniards and Native Americans, but it is generally considered less important than the more numerous crossbows, steel swords, and the all-important horses. In Mexico, arquebus or cannon would break-up infantry attacks, and could be used to impress locals. But time and again, Spanish battle chronicles follow a similar pattern. After initial contact (sometimes involving trickery or ambush), the Spaniards and their allies would fight the Aztecs or other Mexicans primarily on foot, inflicting damage but loosing fighters. Eventually the mounted horsemen would get into the fray, ride down the natives, and then get into the back area of the opposing army and wreak havoc with their lances. This decided many more battles than firearms did.
The following video from National Geographic (one of the sponsors of the research), shows some of the evidence
Some seventy years later, the English brought their arms to the coasts of Virginia, and recently armor and arms have been recovered from Jamestown. While iconic and impressive, as the article notes, these had been put away when famine, not natives, brought the English to their knees.
Update: More skeletal evidence of the Spanish conquest of Peru
Labels:
Andean,
anthropology,
archaeology,
colonial,
Conquest,
Contact,
historical archaeology,
indigenous,
Inka,
jamestown,
mortuary,
Peru,
Spanish
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